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Notes on video lecture:
The Rise of Teen Idols in the 1990s
Choose from these words to fill the blanks below:
scream, Timberlake, teen, tension, Pearlman, objectifying, porn, Philadelphia, harmony, 90s, Ramones, Addition, machinery, guys, Motown, Backstreet
some of the things we see happening in the        remind us of things that have happened before in the history of rock music
idols that specifically appeal to a          audience, especially teen girls
Boyz II Men
signed to the              label
Michael Jackson had left Motown
revitalized Motown
returned to earlier styles of music
early doo wop groups
influenced by New                 , New Kids on the Block
1991 Coolyhighharmony
Kenneth Babyface Edmonds
1992 "End of the Road"
slow dance numbers, a make out song
goes back to old values of                singing
influenced others
Boy Bands
Lou                  put two together
based in Orlando, Florida
1. Backstreet Boys
1997                      Boys
Quit Playing Games with my Heart
As Long as You Love Me
1999 Millennium
were jealous that Lou Pearlman was not spending time on them
2. 'N Sync
JC Chasez
1998 NSYNC
God Must Have Spent a Little More Time On You
2000 No Strings Attached
goal was to get young girls to             
UK group with a girl band
Spice Girls
like the               
Posh, Sporty, Scary, Baby, Ginger
1996 Spicemania
in UK #1
and in 24 countries
1997 Spice
1997 Spiceworld
"Spice Up Your Life"
look at the                    that is making this go, much like:
Michael Jackson
Frankie Avalon
Britney Spears
1999 Baby One More Time
had been in the Mickey Mouse club
even          who hated the music like to watch them
2000 Oops I did it again
Christina Aguilera
Genie in a Bottle
What a Girl Wants
singer-song-writers would have said about these teen idols
almost soft-         stripper mentality
it was                          women
exactly what the singer-song-writers were trying to get away from
two approaches to imagining of a female artists
a certain amount of                between the two of them
1970s: Hippie Aesthetic, Corporate Rock, Disco, and Punk
British Blues-Based Bands and the Roots of Heavy Metal
American Blues Rock and Southern Rock
The Era of Progressive Rock
Jazz Rock in the 70s
Theatrical Rock: KISS, Bowie, and Alice Cooper
American Singer-Songwriters of the 70s
British and Canadian Singer-Songwriters
Country Rock's Influence on 1970s Music
Black Pop in the 1970s
Sly Stone and His Influence on Black Pop, Funk, and Psychedelic Soul
Motown in the 1970s
Philadelphia Sound and Soul Train
Blaxploitation Soundtracks
The Uniqueness of James Brown
Bob Marley and the Rise of Reggae
The Backlash Against Disco
1975-1980: The Rise of the Mega-Αlbum
Continuity Bands in the 1970s
Rock and Roll in the Second Half of the 1970s
U.S. Punk 1967-1975
1974-77: Punk in the UK
American New Wave 1977-80
British New Wave 1977-80
The Hippie Aesthetic: 1966-1980
The Rise of MTV
Michael Jackson: MTV's Unexpected Boon
Madonna as Disruptive Shock Artist
Prince and Janet Jackson
Other Groups Who Benefited from MTV
1980s New Traditionalists and New Wave
1980s New Acts, Old Styles and Blue-Eyed Soul
1970s Progressive Rock Adapts to the 80s
1980's Heavy Metal
1980s Heavy Metal and L.A. Hair Bands
1980s Ambitious Heavy Metal
The Beginning of Rap
1980s: Rap Crosses Over to Mainstream
Late 1980s Hard Core Rap
Punk Goes Hardcore
Late 80s Indie Rock Underground
1990s: The Rise of Alternative Rock
1990s Indie Rock and the Question of Selling Out
1990s Metal and Alternative Extensions
Hip-Hop in the 1990s
Classic Rock of the 1990s
1990s Jam Bands and Britpop
Female Singer-Songwriters of the 1990s
The Rise of Teen Idols in the 1990s
1990s Dance Music