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Notes on video lecture:
Classic Rock of the 1990s
Choose from these words to fill the blanks below:
Heaven, 1982, listening, behind, Gabriel, advertising, entertainment, Summoner, bonus, Experience, CD, history, histories, older, tragedy, Beatles, Cleveland, historical, Voodoo, culture, digital, 1985, four, licensed, well, generations, wear, 1980s, Napster, Dillon, Bird, albums, facts
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the creation of rock               
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classic rock was created in the            as a radio format
•
one of the most important changes in the 1980s was the transfer of technologies from analog to               
•
from cassette tapes and vinyl records to     
•
starts to happen in         
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Sony and Phillips combined forces to develop and standardize CD technology
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CDs were advertised as high quality and digital so doesn't          out
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CD re-issuing
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they tried to talk consumers into buying all the music they had on records, now on CD
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this actually worked quite         
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they added            tracks, which helped sales
•
repackaging            songs worked well e.g. box sets with a booklet, a kind of pop musicology
•
this worked well until around 2000 when                came along and enabled people to get music for free
•
radio consulting
•
top 40
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ways to get the maximum audience in order to get maximum                       
•
Lee Abrams
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credited with developing the rock format employed by hundreds of radio stations across the country, as well as co-founding XM Satellite Radio.
•
Fred Jacobs
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         first classic rock station goes on the air
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by the end of the decade almost every station has a classic rock station
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all songs are          minutes long
•
the whole idea of having a format is to keep people                   
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rockumentaries
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early ones
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Bob             
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MTV and VH-1
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lead components of programming that lent itself to                      interest
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           popping up on videos
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"             the music" and "legends"
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patterns emerged
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hardly any of the music is included since that would have to be                 
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every story follows a similar rags-to-riches pattern
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humble beginnings
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early success
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               strikes
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where they are now
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these things are historically flavored                           , not really history
•
1995
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rock                    released
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PBS and Time-Life
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each 10 episodes
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for people who are interested in the rock history
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               Anthology
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history of the Beatles told by the Beatles
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the sense that rock has a history
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university courses appear
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Rock and Roll Hall of Fame
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1983 founded
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1995 building in                    opens
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2000
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Seattle:                      Music Project
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older musicians were still popular within the 1990s
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The Beatles
•
Free as a         
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Real Love
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added tracks of John Lennon
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The Rolling Stones
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1994              Lounge
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Eric Clapton
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1992 Unplugged
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"Tears in             "
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Peter Gabrial
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1992 Us
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Santana
•
1999
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"Smooth"
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Sting
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1993 Ten                 's Tale
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Bruce Springsteen
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1995 Greatest Hits
•
U2
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1993 Zooropa
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by the mid 1990s every new release didn't just compete with other new releases, they competed with other              from the 60s, 70s, and 80s
•
new artists had to compete with other                        of artists for attention, e.g. with
•
Paul McCartney
•
Eric Clapton
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Peter               
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Bruce Springsteen
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so there was a bit of layering
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an interest in history
•
rock                became something that you don't just give up when you get out of your 20s

Ideas and Concepts:

Authentic music via tonight's History of Rock and Roll class, Sting, Shape of My Heart, from the Ten Summoner's Tales, 1993:

"One of the most delicate and beautiful songs ever written by a human being. Chords in the intro and all through the song, at first glance simple yet overwhelming, full of emotions. That's what you get, when you put the influence of the classical music into good use. Simple things are often the best.

I know that the spades

are the swords of a soldier

I know that the clubs

are weapons of war

I know that diamonds

mean money for this art

But that's not the shape

of my heart."
1970s: Hippie Aesthetic, Corporate Rock, Disco, and Punk
British Blues-Based Bands and the Roots of Heavy Metal
American Blues Rock and Southern Rock
The Era of Progressive Rock
Jazz Rock in the 70s
Theatrical Rock: KISS, Bowie, and Alice Cooper
American Singer-Songwriters of the 70s
British and Canadian Singer-Songwriters
Country Rock's Influence on 1970s Music
Black Pop in the 1970s
Sly Stone and His Influence on Black Pop, Funk, and Psychedelic Soul
Motown in the 1970s
Philadelphia Sound and Soul Train
Blaxploitation Soundtracks
The Uniqueness of James Brown
Bob Marley and the Rise of Reggae
The Backlash Against Disco
1975-1980: The Rise of the Mega-Αlbum
Continuity Bands in the 1970s
Rock and Roll in the Second Half of the 1970s
U.S. Punk 1967-1975
1974-77: Punk in the UK
American New Wave 1977-80
British New Wave 1977-80
The Hippie Aesthetic: 1966-1980
The Rise of MTV
Michael Jackson: MTV's Unexpected Boon
Madonna as Disruptive Shock Artist
Prince and Janet Jackson
Other Groups Who Benefited from MTV
1980s New Traditionalists and New Wave
1980s New Acts, Old Styles and Blue-Eyed Soul
1970s Progressive Rock Adapts to the 80s
1980's Heavy Metal
1980s Heavy Metal and L.A. Hair Bands
1980s Ambitious Heavy Metal
The Beginning of Rap
1980s: Rap Crosses Over to Mainstream
Late 1980s Hard Core Rap
Punk Goes Hardcore
Late 80s Indie Rock Underground
1990s: The Rise of Alternative Rock
1990s Indie Rock and the Question of Selling Out
1990s Metal and Alternative Extensions
Hip-Hop in the 1990s
Classic Rock of the 1990s
1990s Jam Bands and Britpop
Female Singer-Songwriters of the 1990s
The Rise of Teen Idols in the 1990s
1990s Dance Music