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Notes on video lecture:
Cezanne’s Bather: Masculinity and Movement
Notes taken by Edward Tanguay on July 21, 2018 (go to class or lectures)
Choose from these words to fill the blanks below:
weight, nipple, motion, lightly, Zola, hips, nubile, uneven, forward, grown, fossils, nature, Marseille, drapery, bathing, facial, obsession, thrill, frisson, Paris, Pennsylvania, erotic, green, viewer, Eadweard, scientific, hands, attention, Emotions, averted, rocky, absorbed, anticipation, arresting, hues, sensual, Marion, solitary, slavish, stationary
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Paul Cezanne's The Bather (1885)
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one of Cezanne's most                    paintings
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subtle tones of grey, blue and           
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one of the hundreds of paintings Cezanne made around the subject of bathers and               
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painted bathers throughout his career
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more than 30 years
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many have written on his remarkable                    with the theme
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the eroticism of Cezanne's bathers
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his at times seemingly out-of-control brush work has been interpreted as conveying a sort sexual               
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frisson, n. a sudden strong feeling of excitement or fear, a             
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rendition of fleshy and              bodies in which men and women cavort together in a range of settings are at odds with The Bather
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a                  figure of a young man in an open landscape
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pure, tentative, uncertain,                  in his experience
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as he finds his footing through a            coastal terrain
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sparse and             
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the body of the young man is positioned solidly, though very               
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the grey          with green highlights create the feeling of a coastal location
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Cezanne famously spent lengthy periods of time in              on his own
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enjoyed bathing in the outdoors from his youth in           
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where he studied with Émile         
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particular feature of this painting that separates it out
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figure in the picture is based on and present in a particular photograph
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the shape of the body
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the                gaze of the subject
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the way the figure distributes his              mid-step
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the placement of his hands on his         
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the folds in the               
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even the over-sized             
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why did he use a photograph
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an experiment
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following a program
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his                adherence to the features of the photograph
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has something of the                      study about it
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removed from the studies of              sensation and of the sensual body
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rather the body in nature
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1872 Darwin: The Expression of the                  in Man and Animals
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used photographs to illustrate              expression of emotions
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Antoine Fortuné             
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professor and director of the Natural History Museum in                   
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painter and paleontologist
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became one of France's leading Darwinists
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researched the                of the Montagne Sainte-Victoire region
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Cezanne also used a photograph to study the human form
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the combination of the subjective emotions of the bather with the landscape
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bathers            are exaggerated
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rhyme visually with the bather's feet
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the feet also having            in size
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a work that is more about the body than bathing
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presents a scientific study of a                      body
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complements movement forward but has yet to enact that process
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                 Muybridge (1830-1904)
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English photographer important for his pioneering work in photographic studies of motion
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published in 1887 at the University of                         
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Etienne-Jules Marey (1830-1904)
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a French scientist, physiologist and chronophotographer
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lived in Paris
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in this way, The Bather stands apart from the many other works that Cezanne drew of bathers
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is more like the scientific studies of the human body in              at the time
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the primary task Cezanne asks of the             
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to ask how the young man takes a step                into a rock pool
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it is the precise study of movement
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the articulation of the placement of the weight of the human body in                          of stepping forward
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not the                pleasure that we associate with Cezanne's pictures of bathing bathers
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which has received most of                    of art historians
Tiepolo´s Cleopatra: Agency in Paint
The Political and Sexual Agency of Cleopatra
Gainesborough and 18th Century Effeminism
Soldiers, Chivalry, and Men of Feeling
Gainsborough's Portrait of Karl Friedrich Abel
The Ligoniers: The Tensions of Gender in Paint
Effeminacy and the Culture of Sensibility
Gainsborough's Cottage Door: Charity and Sensibility
Seduction in Boucher's pastoral paintings
Boucher's Madame de Pompadour: Controlling the Gaze
Rococo Eroticism in 18th Century Popular Culture
John Lavery in Morocco: Orientalism and the Academy
Hazel Lavery and the Politics of Display
Hilda Rix Nicholas in Morocco
The Dream by Henri Rousseau
Henri Rousseau's The Sleeping Gypsy
Restaging the Nude: Matisse's Dance
Cezanne’s Bather: Masculinity and Movement
Max Dupain (1911-1992): Australian Men on the Beach
Frida Kahlo's Fulang-Chang and I
Frida Kahlo: Self Portrait with Cropped Hair