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Notes on video lecture:
Gainsborough's Portrait of Karl Friedrich Abel
Notes taken by Edward Tanguay on September 7, 2016 (go to class or lectures)
Choose from these words to fill the blanks below:
steep, Pomeranian, dynamic, nervous, respectability, not, 1788, poised, rhythmic, vibration, Mercier, cover, gaze, Berlin, gambit, apart, consummate, grand, masculine, Hunting, companionship, woman, plausible, gamba, performing, excessive, Bach, dog, affinity, concentration, sensibility, musical
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Portrait of Karl Friedrich Abel
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Art Gallery, San Marino, California
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Thomas Gainsborough (1727- )
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a portrait of a musician as a man of
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Karl Friedrich Abel
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German musician who trained under
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one of the last great virtuosi of the viola de
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seen at desk poised over a score
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presented as the musician, active in his profession
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although seated, appears as a 18th century gentleman
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beautifully dressed in a fine fabric of subtle brown or gold
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he is correcting or writing a musical score
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one which he might perform on his viola de gamba which rests on his knee
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he is the epitome of and success
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a man at the peak of his powers
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Gainsborough
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presents a figure from the world of music
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harmonious and compositionally
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evocative of musical composition itself
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communicates an allowance of emotion when it comes to music
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himself had an for the violo
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organized chamber concerts
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Gainsborough's friend Henry Dudley Bait
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Gainsborough always plays his violo to the feelings
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Gainsborough often expressed he was free of the labors his portraits required of him
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was one of the paradigms of the culture of sensibility
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"The Sense of Hearing" (1716)
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Philippe (1691-1760)
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a French painter and etcher, who lived principally and was active in England
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born in of French extraction
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studied painting at the Akademie der Wissenschaften
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Hume emphasized the harmonic possibilities of the system
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comparing the affections transmitted by humans to the sounds of musical instruments
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listening to music was part of the culture of sensibility
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immoderate and excessive emotion were encouraged
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but made an exception for the visual and arts, allowing
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a enthusiasm
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a reasonable ecstasy and transport
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in relation to architecture, paintings, and music
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Gainsborough paints Abel, his loved friend, though the codes of a gendered sensibility
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Abel is powerful, professional, and active
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sitting astride his chair with his legs
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he leans forward in his chair
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his bow resting at a angle at his thigh
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his right hand over the sheet of music
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is poised in a moment of
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conveyed through his subtle facial expressions
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this image is one of a man of sensibility
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the style of which would have been unthinkable for a of his class
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Abel asserts sensibility and authority in a subtle way
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as he looks out of the picture plane, addressing the viewer with his
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his rests by his feet
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she has almost as much importance in the composition as Abel's famed musical instrument
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presenting an image of , harmony, and mutual support
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here we see a great musician at ease with his
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it is difficult to determine if the spirit of the figure, the clearly marked meaning of the face, the correctness of the dog, or the richness of the chair deserve the highest commendation
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as in other paintings
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Gainsborough uses the image as a means of illustrating the sensibility that included in its of cohabitation with domestic animals and their treatment
Spelling Corrections:
consumate ⇒ consummate
respectibility ⇒ respectability
ectascy ⇒ ecstasy
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