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Notes on video lecture:
Australian Indigenous Visual Culture
Notes taken by Edward Tanguay on March 21, 2020 (go to class or lectures)
Choose from these words to fill the blanks below:
contemporary, Jokepa, Tiwi, country, geometric, men, Australia, cave, women, Balgo, artists, ancestral, paint, indigenous, ceremonial, spirit, ephemeral, Papunya, composition, ground, ceremony, artifact
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contemporary art
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gathering momentum in from the 1970s onwards
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indigenous visual culture is the longest continuous art form on the planet
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50,000 years
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prior to contact by Europeans, its locus was
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primary
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largely
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1971
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following the work of bark painters and sculptors in Arnhem land in the Islands
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laid the ground work for revolution in indigenous art
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artists at transferred designs onto small sheets of board
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before that only visible on ground
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women not allowed to
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before this art
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Papunya art was viewed as
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a curiosity
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not deserved to be considered as equivalent as art
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Papunya art was seen as art
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not works for use in ceremony
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they were largely , seemingly abstract
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dots form an important part of iconography
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shields
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walls
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used on the body and on the
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term: "dot painting"
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these painting showed the actions of beings
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from a place called the
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art was bequeathed to next generations
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the of a person comes from a particular place in the landscape to which the person will return when they pass away
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continuous life cycle
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the position of in traditional society
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the emergence of women as
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the 1980s the first time to work as artists in their own right
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women began painting at Yuendumu, Lajamanu and
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in discussion with gained permission to use dots because dots belonged to men
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their works were about their responsibilities to
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less formal than those of men
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Emily, Cara, and Laura were leading artists in this society
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one canvas of Emily's
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was reproduced on the cover of the group's publication
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women's linear designs was covered by a field of dots
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used to be the predominant iconography of Papunya men's painting
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what was happening at Yuendumu or Balgo
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collectors wanted to see more of Emily's works
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but she had no knowledge of any art movement
Ideas and Concepts:
More curiosities of human behavior, via tonight's Sexing the Canvas: "Art and Gender course:"In the mid 1980s, women in Australian aborigine cultures of Yuendumu, Lajamanu and Balgo began to work as artists in their own right. Up to this point, women were only allowed to paint with stripes and lines. Beginning around 1986, in discussion with men, women gained permission to use dots because dots belonged to men."
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