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Notes on video lecture:
Le nozze di Figaro: The Music Conveys the Drama
Notes taken by Edward Tanguay on October 14, 2015 (go to class or lectures)


Choose from these words to fill the blanks below:
material, dramatic, halls, Rome, drama, ahead, unaltered, same, Salieri, music, tangible, wedding, dramatists, songful, 1786, minds, preoccupied, singers, terse, Susanna, Ponte, rapturous, instruments
when we think of Italian opera, we often think of , Venice, Florence, Milan
yet in the late 18th century, much Italian opera occurred in Vienna
Mozart
Antonio
Martín y Soler
few works that were created in the late 18th century had come to us
usually not played on the kinds of Mozart wrote for
are trained differently
the in which they were originally performed have mostly disappeared
but the notes of Le nozze di Figaro have for the most part remained the
composed Le nozze di Figaro
Lorenzo Da
gave him an Italian libretto in order to create an Italian opera
has stood the test of time
the music, independent of the words, can tell us much about the lives, hearts, and of the characters who are represented in the opera
opera represents the achievement of intense expression by essentially musical means
if we listen with intent to the music and the music alone, we can understand much of the drama on stage and in the lives of the characters on that stage
the music conveys the
you don't always need to know the words that are being sung, you don't even need to see the work being performed on a stage
if you learn to develop your ear to hear the is doing, you will pick up and understand much of the drama composed by the best musical
opening duet
at one point counting numbers
strange words to set to music
Figaro is measuring out the room that he and will share together once they get married
he is fairly
at first he doesn't seem to hear Susanne at all
who is more focused on the nature of their and marriage
the music changes when Susanne sings
more lyrical
more song-like
whereas the music when Figaro speaks represents his more expressions of distance
two people are singing
but they are not singing together
they aren't singing about the same thing
Figaro: matters
Susanne: less issues
Figaro's first not keep being raised higher and higher
keeps expanding Figaro's range
a musical portrayal from 5 to 43
strings keep playing the same not over and over
the fixed point from where the measurements expand
Susanne singing
more
more variety in rhythm and volume
expresses a wide range of possibilities
has more thoughts and feelings than Figaro has expressed so far
first 20 second
Figaro measuring out the room
next 10 second
Susanne
then a mix
Figaro even more consumed with his measurements
Susanne continues in thought of their life ahead
oblivious to Figaro and his actions
Figaro starts to sing the song that Susanne's music
never goes back to measuring
allows them to sing in harmony with each other
abandons measuring out the room in order to join Susanne in rhapsodizing about their life together
by the end they are singing Susanne's music, not Figaro's
gives us a hint that Susanne might be a step of Figaro throughout the opera
People:
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######################### (1754-1806) Spanish composer of opera and ballet in his day compared favorably with his contemporary, Wolfgang Amadeus Mozart, as a composer of opera buffa
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