EDWARD'S LECTURE NOTES:
More notes at http://tanguay.info/learntracker
C O U R S E 
Sexing the Canvas: Art and Gender
Jeanette Hoorn, The University of Melbourne
https://www.coursera.org/learn/gender-art/
C O U R S E   L E C T U R E 
Gainsborough's Cottage Door: Charity and Sensibility
Notes taken on December 22, 2016 by Edward Tanguay
•
Charity and Sensibility
•
Gainsborough painted this painting towards the end of his career
•
one of several pictures on this theme
•
how the representation of the rural poor and the theme of charity became part of the civic culture of the 18th century
•
many of Gainsborough's works include references to labor and the working class
•
one theme was impoverished mothers and their children
•
presented with the aim of
•
1. eliciting sympathy with the viewer
•
2. reminding the public of its own capacity for carrying out good works
•
Cottage Door series
•
show country folk gathering around a cottage door
•
using in the clearing in a forest
•
the theme first appeared about 1770
•
many paintings
•
18 published drawings on the theme
•
many show a mother with a baby in her arms
•
sometimes accompanied by other women
•
surrounded by other children ranging in age
•
sometimes a dog plays with the children
•
in one portrait, pigs are feeding nearby
•
feeling evoked
•
a happy but not a prosperous rural life
•
innocence and simplicity
•
draws attention to poverty in the English countryside
•
gentleness and complacency
•
related to strands of the culture of sensibility
•
an interest in sensation
•
style, palette, lighting
•
theatrical devices
•
palette is high pitched, designed to draw the eye of the viewer
•
the composition is closed as though it might be on a stage
•
content
•
lesson of charity
•
the viewer may conclude that it is the responsibility of the well-to-do to fee sympathy for and assist the poor
•
especially mothers and their babies
•
1784 Charity Relieving Distress
•
landscapes
•
1783 A Sea Piece, A Calm
•
a brush stroke was so scratchy
•
difficult to make out subject of the work
•
emulated Rubens, Claude, Rosa, Murillo
•
admired the work of Adriaen van Ostade, Jacob van Ruisdael, and Aelbert Cuyp
•
pictures show evidence of rapid enclosure of common land
•
the poor being driven through a countryside with carts laden with their meager possessions
•
concerned with the social reality of the English countryside
•
"to him that feels it with great sensibility, a mind able to see common incidents in their real state is disposed by very common incidents to very serious contemplation"
•
in valuing what is seemingly insignificant, sensibility set a store by things that seemed meaningless and was moved with profound feeling in the presence of the ordinary
•
sensibility is an interest in and an awareness to others, and an ability to enter into them
•
the ability to feel with another
•
studies of the ordinary
•
but also about empathy
•
predominantly about women and usually more than one figure
•
some only pictured one woman
•
Housemaid
•
Girl with Pigs
•
more commonly, he represents women and children
•
figures performing labor
•
man returning to cottage
•
none of the figures look out at the viewer
•
aware that they are the subject of the gaze
•
life is too busy for that
•
clothing is simple if not ragged
•
child eating soup
•
another child reaches for it
•
Gainsborough had a concern for the care of mothers and their children
•
he was involved with the London Founding Hospital
•
painted of the hunger suffered by rural women and their children
•
some say, however, that the child figures appear to be relatively well fed and attractive
•
he shows the rural poor in a palatable manner
•
literature that refers to impoverished mothers and their children
•
no society could be happy when more than half the members are poor and miserable
•
it was the role of aristocratic and middle class women in particular to perform acts of charity
•
they should visit poor cottages and relieve their necessities
•
Mary Wollstonecraft
•
when a governess in Ireland
•
visited the cabins of the poor
•
tender sympathy and wholesome counsels to the indigent and industrious cottages
•
given the number of paintings of the poor
•
we can conclude the Gainsborough had an interest in the fate of the rural working women and their children
•
as a man of sensibility, it was his duty to teach these sentiments to others