EDWARD'S LECTURE NOTES:
More notes at http://tanguay.info/learntracker
C O U R S E 
Sexing the Canvas: Art and Gender
Jeanette Hoorn, The University of Melbourne
https://www.coursera.org/learn/gender-art/
C O U R S E   L E C T U R E 
Boucher's Madame de Pompadour: Controlling the Gaze
Notes taken on March 23, 2017 by Edward Tanguay
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1754: Pastel of Madame de Pompadour
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François Boucher
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the official mistress of Louis XV
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came from the bourgeoisie rather than the nobility
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ennobled by the king upon becoming his official mistress
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known for her beauty and
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a clever woman
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had the king appoint her brother and uncle to positions of importance regarding arts in the society
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directors of king's buildings
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responsible for works of art in Versailles and the Louvre
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she was controversial
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a woman
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from the bourgeoisie
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influencing decisions on matters of taste in the court
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pastels
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a genre that skilled artists like Boucher excelled at during this period
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works of art in their own right
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more intimate kinds of art that were collected by elite people who had taste
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in collecting drawings
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rather than drawing that were used more decoratively
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Madame Pompadour was an amateur artist herself
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took lessons in drawing and print making with Boucher
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Boucher technically worked for her
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the painting
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Madame Pompadour
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in a crown of roses
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framed by roses
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framed by putti
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below her you see references to her taste in the arts
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sculpture
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painting
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scripts of music
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scrolls and a book
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fine lines on putti
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contrast with light edges on Madame Pompadour
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shown as a woman as beauty
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rose buds emphasize her femininity
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colors
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tended to be pastels
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light pinks, blues, greens and yellows
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delicate hues
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adds to the reception of Madame Pompadour as a delicate person of learning