EDWARD'S LECTURE NOTES:
More notes at http://tanguay.info/learntracker
C O U R S E 
Sexing the Canvas: Art and Gender
Jeanette Hoorn, The University of Melbourne
https://www.coursera.org/learn/gender-art/
C O U R S E   L E C T U R E 
Max Dupain (1911-1992): Australian Men on the Beach
Notes taken on September 20, 2018 by Edward Tanguay
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in Dupain's photographs of bathers, he shares interests with Cezanne's Bather
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for his painting The Bather, Cezanne used photographs to explore how a body moves through space
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it's a study of the placement of the body and its placement in the natural world
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both returned often to the bather as the subject of their art
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1937 The Sunbaker
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an athletic man lying on the beach
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fresh from the surf with beads of water on his back
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a monumental muscular form
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he solemnly claims his place in the environment
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he's almost hovering in this spatially disorienting photograph
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the sand and sky seem to merge
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this man has become part of the environment in which he is placed
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following the great loss of life of the First World War, there was an interest in Australia as far away and elsewhere
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the theme of revitalization was prominent
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exploration of body culture
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photography was able to reveal sexually differentiated energies
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Dupain focused on the body as a symbol of perfection
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the Sunbaker is part of a series that he produced
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men and women sunbathing on the beach, sometimes naked
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identified them with the revitalizing forces
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vitalism
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developed by French philosopher, Henri Bergson
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source of inspiration for Dupain
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underpinned the health and fitness movement
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Dupain was attracted to the vitalistic writings of Bergson
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Dupain was also influenced by D.H. Lawrence and Nietzsche
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focus
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the degenerative effects of modernity
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modern men and women should reconnect to the what they believed to be life forces
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emphasis on the intuitive and subjective
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therefore of interest to many artists
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a return to the classical world of the Greeks and Romans
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Sunbaker and series
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celebrates the power of sunlight
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Man and Sunlight (1927)
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Hans Suren
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weather-hardened men, bronzed with sun and strong as steel
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everyone should partake in what he termed active hygienics to benefit race and humanity
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referred to antiquity as a period when humanity was physically at its peak
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Sunbaker is a model of good health in the classical mold
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also photos of life savers which had military overtones
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themes of nationalism, sport and masculinity
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looked to the past invoking the fine muscularity of Greeks and Romans
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proposed as a model for contemporary men and women
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Dupain's views were formed during years at his father's gymnasium
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his father George Dupain was a member of the vitalist movement in Australia
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models were often members of his father's gymnasium
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upstanding
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symbols of moral virtue
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taps into powerful memories to give weight to his photographs
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1952 Exposure: Newport Baths
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man leaving pool at one of Sydney's most beloved surf beaches
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warm weather
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embodies a lanky, laconic masculinity
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believed to idealize what it meant to be Australiian
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clearly relates to Dupain's interest in antiquity
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a study of how the body is placed in space
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caught at a certain moment while the subject's thoughts are internalized
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the viewer avoids his gaze, as with Cezanne's Bather
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the subject's focus is inward
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their concern is for themselves
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shows a naturalized masculinity