EDWARD'S LECTURE NOTES:
More notes at http://tanguay.info/learntracker
C O U R S E 
Greek and Roman Mythology
Dr. Peter Struck, University of Pennsylvania
https://www.coursera.org/#course/mythology
C O U R S E   L E C T U R E 
Aeneas, Laocoon, and the Trojan Horse
Notes taken on February 19, 2014 by Edward Tanguay
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in book 2, Aeneas begins to narrate for his Carthaginian hosts, his own past
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Trojan War has ended
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he experienced the fall of his beloved city
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in a customary twist, modifies and extends Homer's story, tells of Sinon
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Sinon was a Greek warrior during the Trojan War
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near end of war, Aeneas is leaving the city, sees this Sinon who says he had been abandoned
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standing next to him is a giant wooden horse
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said they built the horse because Athena was angry with them for stealing the Palladium
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said that they built it so big so it could not be brought into Troy since if it was, Troy would never be able to be conquered
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Laocoon [lay-AHK-oh-wahn]
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a Trojan who warns that this is a lie, but serpents come up out of the sea and bite and kill him
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Trojans see this and now redouble their urgency of bringing this horse into the city
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Odysseus lies quite a bit in the Odysseus and Homer admires him for doing it, Athena egging him on to lie, humans like it when he does, everyone is entertained
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Virgil plays on this and has the Greeks, here Sinon, lie again
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so this is the definitive account of what happened after the Trojan war
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Greeks come out of the horse, annihilate the city
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Virgil describes in great detail
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with great concern of what is happening to his city
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Aeneas is hero figure, but ironically the first thing that he has to do is "abandon his ship", i.e. leave Troy
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so Virgil has to start a story of abandonment of his home city
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but plenty of good reasons:
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humans, gods and ghosts come and tell him to leave
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even his wife begs for him to leave
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e.g. the way Venus tells Aeneas to go is very Virgilian
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*** Venus peels back what is happening so he can see the gods dismantling the walls of Troy, deeply sinister
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*** for Homer there is an anger and rage, but for Virgil there is a kind of existential menace operating behind the scenes
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Virgil's world has depths of sinister forces operating compared to Homer's more two dimensional world
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we thus see Tory engulfed in flames not only literally but in this broad, existential sense
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Aeneas is carrying his father out of the city, a symbol of his past and tradition
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he's also guiding his son by the hand, his future
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Virgil's world is characterized by shifting surfaces, whereas Homer is often brightly lit most of the time, we can see the obvious connections between people and events
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with Virgil it's hard to get at what is basically happening
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this is also happening to Aeneas, he is not going to be in command of all the things happening around him
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he is being pulled along to meet this grand destiny but there will be lots of pain, troubles, and suffering along the way