EDWARD'S LECTURE NOTES:
More notes at http://tanguay.info/learntracker
C O U R S E 
History of Rock, 1970-Present
John Covach, University of Rochester
https://www.coursera.org/course/historyofrock2
C O U R S E   L E C T U R E 
Theatrical Rock: KISS, Bowie, and Alice Cooper
Notes taken on February 15, 2015 by Edward Tanguay
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theatrical rock
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sometimes referred to as glam rock
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but glam rock only become popular in the UK
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e.g. David Bowie
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the U.S. really didn't have a glam movement as you did in the mid 1970s in the UK
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in this genre, rock music which was conceived primarily for its theatrical production
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relied in an important way on you seeing it to understand it
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in the 1980s, this happened with music videos in that the music was dictated by how the video was produced
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albums came with elaborate stage shows
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involved performers taking on alternate guises
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taking on various fictional characters
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has its roots in
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the Beatles Sgt. Pepper's Lonely Hearts Club Band
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Jim Morrison with the Doors and his idea of being the Lizard King
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make up and costumes used on stage
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you could include the band Genesis
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these shows were designed to play not in small theaters but in arenas
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forced the development in the rock concert industry that hadn't been there before
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David Bowie
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success in U.S. was later than others in theatrical rock
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1969 Space Oddity
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wasn't a hit in the U.S. until 1973 when it was rereleased
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one of the most important British glamstar performers with androgynous images
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challenges gender identity
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Ziggy Stardust
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a fairly androgynous character
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album was 5 in UK but only 75 in US
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the question of gender is very much put in the forefront
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this is what was shocking and ambitious about what Bowie was doing
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Madonna in the 80s reproduced much of what Bowie did in questioning gender roles
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1973 Aladdin Sane
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1974 Diamond Dogs
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1975 Young Americans
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hit "Fame"
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you couldn't get everything from the record, you "had to see the show"
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Alice Cooper
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originally from Detroit
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landed in Los Angeles
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characterized by gruesome and Gothic stage shows
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each show ended with Alice Cooper's death
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the question was always, how do we kill Alice Cooper at the end of the show
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hanged
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head chopped off
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electric chair
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eventually they sort of ran out ways to kill him
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no one had ever seen this kind of staging
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a "crazy band of dangerous desperadoes"
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1975: Welcome to My Nightmare
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Vincent Price did narrations
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first records produced by Frank Zappa, influenced by Jim Morrison
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1971: Love It to Death
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"I'm Eighteen"
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1971: Killer
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"Be My Lover"
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1972: School's Out
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Alice Cooper and David Bowie were raising the bar in the early 70s for what it meant to do a rock show
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KISS
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when it came to theatrical display, there was no group that took the idea and ran with it quite like KISS
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it was one thing for Alice Cooper to scare you with a guillotine, hanging or electric chair or David Bowie to shock you with this androgyny and European stylishness, but KISS was going to amaze you with the pyrotechnics
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they all adopted characters with very heavy makeup
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a cross between Alice Cooper and the Monkees
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four individual characters like the Beatles
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so you could identify with each of them
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bombastic stage shows with lights, flames, explosions, costumes, spitting blood, Gene Simmons with that big old tongue of his
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KISS was a big, sort of scary cartoon with lots of rock and roll fun
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the first major success comes from a live album
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after three studio albums
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1975 Alive!
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"Rock and Roll All Nite"
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you had to see them in concert
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contrast that to a Led Zeppelin album, you didn't have to go to a show to experience it
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or with Yes
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KISS exploited the marketing
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feature film
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action figures
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theatrical rock was defined by the stage progression
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KISS was a blues based rock band
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Alice Cooper was a quasi progressive rock
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David Bowie was more of singer song writer, mainstream pop
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was the precursor to music videos in 1980s