EDWARD'S LECTURE NOTES:
More notes at http://tanguay.info/learntracker
C O U R S E 
History of Rock, 1970-Present
John Covach, University of Rochester
https://www.coursera.org/course/historyofrock2
C O U R S E   L E C T U R E 
The Hippie Aesthetic: 1966-1980
Notes taken on February 28, 2016 by Edward Tanguay
we can see an arc of rock music that develops between the mid 60s
around 1965 to 1966 crossover to psychedelia
over the barrier of 1969-1970 continues forward to 1974-1975 and works it's way to 1979-1980
that arc of about 15 years, is what we might think is dominated by The Hippie Aesthetic
all of this music hangs around in a number of ideas and values
music as professional
the artists writing their own songs
playing their own instruments
producing their own records
being in control of their artistic statement
having a certain amount of virtuosity
they never wanted to be thought of as amateurs or technically deficient in any kind of way
high levels of production
embracing technology
pushing the art forward
not spending a lot of time looking back
we see this decline at the end of the 70s
on the way in, in the 60s, it's coming out of a craft-based approach
the Beatles and other groups make the transition from craftsmen to artists
it's where the artist thing kicks in that we begin to see the beginning of the hippie aesthetic
the music continues to get increasing ambitious and sophisticated coming to a culmination at the end of the 70s
stylistic experimentation, combining and juxtaposing different styles at the end of the 60s
country rock
jazz rock
progressive rock
these come together as the business expands and radio has this requirement of having 4-5 minute songs
at the end of this two-decade Hippie-aesthetic arc, two styles come up which challenge what this arc was about
1. Disco
essentially a dance form
it's message was
who cares about these big issues
who cares about concept albums
who cares about professional musicians and these long and boring solos
we don't even know who the artist is, it's not important
we just want to dance
it was an aggressive attempt to reject the Hippie aesthetic
2. Punk
the same thing happens with Punk
when people got their first look at the Sex Pistols, they seemed like amateurs
they didn't care about being able to play
they didn't care about making first rate performance, they just sort of showed up and began playing
it all seemed to sloppy and amateurish
many rock listeners couldn't take it seriously
3. New Wave
then you get the more refined of Punk in the form of New Wave which starts to make concessions to rock
New Wave bands looked back at Rock history and was often conditioned by the fact that the musicians themselves had been hippies before they did New Wave
New Wave could not escape the hippie aesthetic and the music created by it
despite the fact that that is what it is trying to do
so while Punk escaped the hippie aesthetic, New Wave remained inside of it
the rejection of the hippie aesthetic marks an end to this music
many of the rock groups from the 70s will continue to have careers into the 80s
but things start to change in the 1980s
but Rock music gets down to a 4-5 minute song unit
the extended tracks and concept albums are for the most part out of the picture
at the beginning of the 1980s emerged MTV, Music Television
this changes the business all over again