EDWARD'S LECTURE NOTES:
More notes at http://tanguay.info/learntracker
C O U R S E 
Letters of the Apostle Paul
Laura Nasrallah, Harvard University
https://www.edx.org/course/harvardx/harvardx-hds1544-1x-early-christianity-927
C O U R S E   L E C T U R E 
Paul's Letter Writing Within the Tradition of Ancient Rhetoric
Notes taken on January 21, 2014 by Edward Tanguay
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background
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you have to remember that Paul's letters did not originate packaged as a unit, they were individual letters with individual audiences and purposes
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intimate and familiar
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much as we engage in letter writing today
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distant and unfamiliar
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reading Paul's letters we are engaging in a cross-cultural and cross-historical investigation
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we have to exercise our historical imaginations
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e.g. consider how people sent letters in antiquity
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rhetoric
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in the ancient world, the well-educated were trained in rhetoric
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about the communication of ideas
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Greco-Roman education
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1. elementary education
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2. grammaticus training
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3. rhetorical training
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books still exist on progymnasmata, or rhetorical exercises gradually leading the Greco-Roman student to familiarity with the elements of rhetoric, in preparation for their own practice speeches and ultimately their own orations
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asked to write as if you were Homer, Thucydides, or Herodotus, i.e. as the great writers in Greek epic, history, and ethnography
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Aristotle
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teacher of Alexander the Great
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wrote his book on rhetoric in 4th century CE
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connected rhetoric to ethics and politics
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Paul had training in rhetoric and his writing takes part in some of the conventions that Aristotle made famous
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paideia [pigh-DAY-ah]
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the rearing and education of the ideal member of the polis
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Greek education and culture
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a goal even in the Roman era, even for someone like Paul perhaps
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looking at Aristotle more closely we can understand how Paul's letters were part of a larger literary culture, also how the audiences received them
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two concepts that Aristotle made famous
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1. rhetoric is made up of ethos, pathos, and logos
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ethos: speaker is credible and good
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pathos: rouse to emotion, put the hearer in a certain frame of mind
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logos: speech is a means of persuade
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2. ancient writing can be divided into three forms
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judicial: about an event that is over, and now much be defended or attacked
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deliberative/advising: about an event in the future, what should be done to shift that event
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epideictic [ep-ih-DIGHK-dik]: about an event that is occurring in the present, and one condemns or praises the audience or others
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Quintilian (35-100AD)
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Roman rhetorician from Hispania, widely referred to in medieval schools of rhetoric and in Renaissance writing
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father sent him to Rome to study rhetoric early in the reign of Nero
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book: "Institutes of Oratory", rhetoric not as used by philosopher but by the political man
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provides the knowledge of how to speak well
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Paul's letters are rhetorical in two ways
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1. they are occasional documents, political documents sent to particular communities
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so they needed to have rhetorical conventions to persuade
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2. deeply informed by rhetorical conventions
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he is not as well trained in rhetoric as, say, Cicero (106BC-43BC), one of Rome's greatest orators and prose stylists
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but Paul was educated to write in order too persuade, he uses allusions, conventions, and styles indicate some form of Greek education
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Paul the letter writer
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what kind of ethos, how does he present himself
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he presents himself, i.e. portrays his ethos, differently to the Galatians as he does to the Romans
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he doesn't know the Romans
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he is angry at the decisions of the ekklesiai of Galatia
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Paul emphasizes the word "apostle"
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Apostolos, in a Greek lexicon, is defined as messenger or ambassador
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he is an apostle not by human authority but by the authority of Jesus
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Paul uses language reserved for chosen prophets of the Jewish tradition
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he was not an apostle who literally followed Jesus, he was an apostle because God revealed something to Paul
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he doesn't even go to Jerusalem to meet those who were apostles before him, but goes away into Arabia
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Paul writes not about his conversion but about his calling
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Despite Carvaggio's dramatic painting of Paul falling of his horse after being blinded by light
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but Paul himself does not say he was blinded
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or that his name was changed from Saul to Paul
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or that he's a Roman citizen
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or that he is from Tarsus
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these traditions are found in the Acts of the Apostles, chapter nine
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Paul defines himself as brother, slave, apostle, and least of the apostles, as a gentlenurse, a father coming with a rod, as jealous of a community trying to protect them
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Paul shape-shifts:
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"Although I am free from all, I have made myself slave to all, that I might win the more...that I might win those outside the law...I have become all things to all, in order that I might by all means save some."
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his way of presenting himself shifts according to his audience and purpose, part of his rhetorical strategy
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speaks to different audiences at different times, engaged in evolving and complex relationships with these communities
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he's not composing a systematic theology, he's not writing a unified corpus, or group of literature, he wrote his texts as occasional letters and did not mean them to be a unit
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but Paul's letters did circulate as a unit in the ancient world very soon after they were written