EDWARD'S LECTURE NOTES:
More notes at http://tanguay.info/learntracker
C O U R S E 
The Rise of Superheroes and Their Impact On Pop Culture
Michael Uslan, Smithsonian Institute
https://www.edx.org/course/rise-superheroes-impact-pop-culture-smithsonianx-popx1-5x
C O U R S E   L E C T U R E 
1930s: The Origin of the American Comic Book
Notes taken on October 18, 2016 by Edward Tanguay
the comic book first arose in America in the mid-1930s
the demand for a new form of entertainment
in small towns, we were becoming aware that we were apart of something larger than just a small town
all of America was facing economic depression
country was facing the threat of war in Europe
people were looking for outlets of entertainment
comic books were inexpensive and accessible
you paid 10 cents instead of going to the movies
allowed people to transport themselves beyond their day-to-day experience
other forms of entertainment at the time
theater
big band sound was starting
movies
fascination with the gangster film
there were many well-known gangsters in society
they were celebrities
Warner Brothers understood this
created by the Wonskolaser brothers who emigrated as small children with their parents to Canada from Krasnosielc which was located in the part of Congress Poland that had been subjugated to the Russian Empire following the eighteenth-century Partitions of Poland near present-day Ostrołęka
1903: opened their first theater in New Castle, Pennsylvania
Warner brothers took the plots from the newspapers of the time
John Dillinger (1903–1934)
operated the Dillinger Gang which was accused of robbing 24 banks and four police stations
escaped from jail twice
grew up in Indianapolis
his German grandfather, Matthias Dillinger, emigrated to the United States in 1851 from Metz
Al Capone (1899-1947)
American gangster who attained fame during the Prohibition era as the co-founder and boss of the Chicago Outfit
born in the borough of Brooklyn in New York City to Italian immigrants
typical American family in the evenings at home
gathered around the radio
basked in its audio glow just as if it were a fireplace
FDR gave fireside chats on radio
became extensions of a form of entertainment
entertainment that gave us information
forerunners of the American comic book
two influences
1. pulp magazines
the were called pulp fiction because of the paper they were printed on
were appealing to young people
unfinished pieces of paper
had rough edges
it was an unfinished experienced
characters coming out of the pulp magazines
The Shadow
became a comic book
then a radio show
then became a movie serial
in essence, the first multimedia star
Flash Gordon
Tarzan
Superman
largely centered around heroes
the producers wanted capitalize on the feeling in America and the world at the time, i.e. a superhero is needed
we were seeking a hero who could solve all our problems, and these comic strip characters seemed to offer this possibility
2. newspaper comic strips
comic strips also began appearing in newspapers
Trylon and Perisphere
radios from the 1930s had these shapes on them
came from two modernistic structures, together known as the Theme Center at the center of the New York World's Fair of 1939-1940
these two symbols were used in the advertising of the fair
motto was "Dawn of a New Day" and "The World of Tomorrow"
they wanted to lead America out of the depression and toward a new optimism
DC Comics
founded 1934
the initials DC came from the company's popular series Detective Comics,
produced Superman, Batman, Wonder Woman, Green Lantern, The Flash, Aquaman, Cyborg, Shazam, Martian Manhunter, Hawkman and Green Arrow
currently a subsidiary of Warner Bros., a division of Time Warner.
also used the trylon and perisphere on their magazine
the 1940 magazine which showed Batman, Robin and Superman together was a statement that there is a DC universe in which all of our DC characters coexist
Superman was referred to both as "The Man of Steel" but also as "The Man of Tomorrow"
Superman launched in Action Comics #1 on April 18, 1938